Friday, October 29, 2010

Happy Halloween

TODAY IN CLASS
A quick-write:  Why does Gregor turn into a bug? (a hand-written page or so)

Then things varied a bit:  1st period worked in groups and began presentations.
Third and sixth need to prepare their topic individually (for the group, not to hand in); on Monday you will have 8 minutes or less to confer before proceeding with some class presentations. We went over the topics briefly in class, but if you were absent (or neglected to write yours down because you had faith in a week-end blog post), they are listed below.

FOR MONDAY
For all groups--Base your work on Part I only.

A—Trace the stages/steps in Gregor’s perception of the world around him (think the five senses and the degree to which he is at ease in/with his own body) as well as his perception of himself. 

B—Very specifically:  Gregor’s ability to communicate (what he thinks/what actually happens)

C—Focus on the father’s responses to Gregor; nature of their relationship

D—Focus on the mother’s responses to Gregor; nature of their relationship

E—Focus on the sister’s responses to Gregor; nature of their relationship

F—Focus on Gregor’s life UP UNTIL the morning that the story opens.  What do we know?  What are the clues?

Thursday, October 28, 2010

Thursday, Oct. 28, 2010

TODAY IN CLASS
What produces humor? What is the source of comedy?  We kicked this around for awhile and then pulled elements from the first part of Metamorphosis to account for why at least some readers really do see some humor in Kafka's description of Gregor's situation.

In 1st, we looked closely at the details of Gregor's room, and less so in 3rd; alas, we didn't make it to that point in 6th. 

FOR TOMORROW
Assignment is just to read:  finish the story (Parts II and III). In no way will this quick read be sufficient; you're advised to re-read each part over the next few days.  So why finish it for Friday?  Because we need to have an eye on WHERE Kafka is headed with this story to appreciated the value of how he gets us there.

Wednesday, October 27, 2010

Wednesday, Oct. 27

Abbreviated post: 
Homework--Read Part I of Metamorphosis for Thursday; ALL of it by Friday.

If you are in 6th, the online acccess is here:

https://records.viu.ca/~johnstoi/stories/kafka-e.htm

or

http://www.globusz.com/ebooks/Kafka/00000011.htm

Tuesday, October 26, 2010

Treading Water

TODAY IN CLASS
1st and 3rd:  focussed on character
6th:  focussed on symbol
We'll switch and move on briefly tomorrow.  Wednesday will be the last day on Baldwin's story.

FOR TOMORROW
Problem:  you need to be starting "Metamorphosis"--but I was unable to schedule a check-out for today.
BE SURE to have your ID tomorrow, and also--if you have access to an old book--we need to have you use that instead.

Suggestion:  Do what you can to work ahead in other classes tonight and save some extra reading time for Wed/Thurs. if you can.

Monday, October 25, 2010

New York, New York

MISCELLANEOUS
First, I had trouble with these links--but maybe they will work for you.  I was hoping you could hear a bit of Louis Armstrong as well as Charlie "Yardbird" Parker, since both were mentioned in the story.
http://cai.ucdavis.edu/uccp/previewquestionsanswered.html

Also, we didn't get to the satellite image some of you were begging for in 1st and 3rd;  here ya' go:
http://maps.google.com/maps?hl=en&q=manhattan+New+York&safe=active&um=1&ie=UTF-8&hq=&hnear=Manhattan,+New+York,+NY&gl=us&ei=huTFTJ-LKImWsgORg7WlDQ&sa=X&oi=geocode_result&ct=title&resnum=1&ved=0CCQQ8gEwAA

And some necessary corrections to the Monday a.m. Still-Asleep-Syndrome:
Correction to 1st:  Sonny--not the narrator--was 15 when their father died (so narrator was 22)
Correction to 1st and 3rd:  The Staten Island ferry goes from Battery Park (lower tip of Manhattan, between the financial district and the water) to the island where the Statue of Liberty is (called Liberty Island), Ellis Island, and finally Staten Island itself, which is actually across New York Bay from Manhattan.  (It's much closer to New Jersey--separated only by two river-like bodies of water called "kills" [from Dutch].)

TODAY IN CLASS
Setting:  Time and Place.  Getting the geography down for "Sonny's Blues." Haarlem--oh, wait, that's the Dutch spelling--Harlem is oh, so close--but most definitely far away from the mainstream possibilities of life for America in the burgeoning late 40's and 50's.  In fact, many would say that New York City was at its peak of power, influence, and romance at this time--but none of the positive mystique was available to people stuck in Harlem.  And by setting up the time line of ALL the action, we were able to look briefly at the South when the KKK was largely unchecked. Alhough what happened to the uncle was not a deliberate clan action, it clearly represents a time and place when human life was not valued so highly if the skin was black.  That background becomes part of the suffering--of the blues--represented throughout the story.

TOMORROW
Prepare by looking more closely at POV and Characterization (for those who did not already do one of these).  No formal written work to hand in, but I strongly suggest notes or some annotating.  We want to focus on the connections, the significance here--not the obvious.  Who, by the way, is the protagonist of the story??

Sunday, October 24, 2010

Post for Friday, Oct. 22

IN CLASS ON FRIDAY
Students turned in all three of the short papers.  We went through a process of sorts, however, that actually consumed most of the class period. For the first two papers, students were given time to mark the thesis and to proofread carefully.  If you were absent or did not have a paper on Friday, do two things:

  • Mark ABSENT and the date at the top if you were absent; otherwise, mark it LATE
  • On the first two papers, highlight the THESIS.  If you do not have your own highlighter, draw square brackets around the thesis.  
  • I'm assuming you've proofread--no class time is allotted for this today.
For the thought paper, students were given time to read all the others on their topic and to mark the three best (most interesting/intriguing/insightful, etc.) ideas from the set.  No way to make that up today . . . just turn yours in.

FOR MONDAY
No specific homework.  In-class focus Monday/Tuesday will be "Sonny's Blues."

Upcoming:  
"Metamorphosis"--books intended to be provided, but only 73 arrived (others are back-ordered).  Stay tuned for the plan for dealing with this.

And then--Joseph Conrad's Heart of Darkness.  This is widely available cheap, and many of your friends probably still have it.  We will have NO time for you to be claiming yours is "on order."  You should have it now.  We will be working with this by the first week in November.  Probably not that Monday--but probably by Tuesday.


Thursday, October 21, 2010

Three Short Papers Due on Friday

TODAY IN CLASS
Strictly a work period.  Everyone used time wisely.

FOR TOMORROW
Finish the papers.  If you have misplaced your hand-out, remember that the complete instructions are linked on Google.docs (see yesterday's post).

Wednesday, October 20, 2010

TODAY IN CLASS
Close focus on the scene in which Paul's mother stands outside her son's room trying to identify the mad rushing sound inside . . . we looked for specific textual reinforcement of the identity Lawrence is establishing between mother and son.

I handed out the written form of the three papers assignment due on Friday, with information about Exploratory Papers (or Thought Papers) on the back.  This material is linked here:
Description of a Thought Paper:
https://docs.google.com/document/d/1Q7czRCcLSuDSs86bTLCjMa55_tLTMJmClrAhYHBdCeI/edit?hl=en&authkey=CJPEoQY
Actual assignment for Friday:
https://docs.google.com/document/d/1bi08KCAh-9RYNhrjYTWGuUWoPcnEJ25aYj3EHnjYaqc/edit?hl=en&authkey=CLf2318

FOR TOMORROW
Be working on the material for Friday, wherever you may be in the process.  Tomorrow's class will be purely reading/work time.  No book sharing.  Borrow for your class period if necessary.

Tuesday, October 19, 2010

TODAY IN CLASS
See the end of this post for the make-up assignment if you were absent on Monday.
And the late folder is open on http://www.turnitin.com/

Discussion of RHW, partly rooted in the significance of the luck/lucky, Paul's eyes, and overall motivation from yesterday, with an explicit discussion of theme(s) at the end of the period.  There will be one more snippet to run through tomorrow: we will look closely at the scene in which Paul's mother stands outside the door, trying to identify the sound.
3rd period--all of this was abbreviated because of the Healthy Youth Survey

FOR TOMORROW
You have a busy several days:  one final short story to read, and three short papers.  You should write the first one tonight, or at least a solid working draft that you can revise later.  I am copying/pasting the assignment here now, because it is not quite finished; I need to add the material on the thought paper, which I believe is well-described on a document on my home computer.  (If not, I'll do it again).  But here is what I have so far:
Assignment Due Friday, Oct. 22
Three short papers, divided into two types of writing which we will utilize throughout the year.

The One-Pager (or Microtheme)
  • Must fit on one page, typed in the following format:
    • Short heading:  on the left, single-spaced (Name, class period, date)
    • One-inch margins, 12-font type
    • UNLIKE practically everything else, SINGLE-SPACE. (But please double-space between paragraphs unless you are absolutely out of room.)
  • Content:  Must have a strong thesis, clear organization, rich supporting details.  Clarity of purpose, effective selection and organization of textual evidence, and concise, grammatically-correct writing style are the hallmarks of good one-pagers.  Professional academic tone is expected.

The Thought Paper (described on the other side)  OK--so not yet--this is the part I will add tonight and republish on Google.docs.


Here are the three prompts for Friday.  I would suggest doing the “Araby” paper tonight.  Thursday will be a work day (in full), so you will have two nights and a class period to read the next story and to do two other papers.  Yes, the pace is picking up.

One-Pagers--these will be in the "Assessment" category

1) Notice that “Araby” begins and ends in darkness.  Trace the various images of light and shadow through the story and show how they define the boy’s feelings at each point. [As I had time to develop in 1st, but not in 3rd/6th:  this LOOKS easy and repetitive, given what we did in class.  Your task, however, is write a model of the clear, complete, and fluent expression that the genre requires.  

2) Identify the protagonist of “The Rocking-Horse Winner.”  Justify your choice by looking not only at aspects of characterization, but also by connecting your decision to such features as elements of plot structure, symbol, and theme.

Thought Paper--these will always go in the Classwork/Daily Prep category
You will be writing on "Sonny's Blues" (pp. 49-70).  There is never a "prompt" for a thought paper, and sometimes they are completely free of constraint.  At other times, I will point you in a direction, but you can freely determine what you notice and ponder along the way.  In this case, you'll be writing a thought paper on some aspect(s) of the literary element for your group.  The DIFFERENCE, however, is that the thought paper gives you the opportunity to "explore"--to consider this or that, so long as you are truly "thoughtful" about it.  Don't  worry about actually WRITING this one until you get more information!

However,  you may want to continue reading the story tonight.  If you do, here are the category assignments:
A -- Tone and Style
B -- Theme
C -- Symbol(s)
D -- Point of View
E -- Character
F -- Setting


Make-up Work for Monday (10/18)

“THE ROCKING-HORSE WINNER”
Questions 1 and 2 are essentially “data-mining” (a bulleted list,
with page numbers) followed by several sentences of insightful commentary. Questions 3 and 4 should be short paragraphs

1) Trace the use of the words “luck”/“lucky” in the story.
List the relevant phrases or sentences in bullet form—write however much it takes to make the meaning clear. Include (and clarify) the
phrase “filthy lucker”—which is what Paul understands his uncle to
say.  Then summarize how Paul has “bought into” his mother’s idea
of luck. Does he succeed?

2) Keep track of all references to Paul’s eyes—again, list them
out bullet style (you should have something like 12-14).  Then
show how Lawrence’s emphasis on this feature helps to indicate how the boy changes as the story progresses.

3) Briefly characterize the relationship between Paul’s parents—
or at least Paul’s mother’s attitude about her husband—and explain
how/why it is important.

4) Consider the rocking-horse as a symbol.  What exactly could
it symbolize, and how does that symbol connect with the meaning
of the story as a whole?

Thursday, October 14, 2010

Purple and Gold on Friday!

TODAY IN CLASS
1.  Personal essays turned in.  Do not forget to submit to turnitin.com (actually open until Friday night, but please do not procrastinate).

2.  The three classes are all over the map on "A & P"--we may never be fully synchronized on coverage, but the categories should be clear enough.  The chief focus so far has been "language and style," especially as it pertains to characterization and the vantage point/perspective aspect of point of view.

3. On Friday, we will turn our attention specifically to the epiphany, possible themes, and the nature of the quest--when it doesn't involve likely heroes and ladies-in-waiting.

FOR TOMORROW
You need to read the next story:
"The Rocking-Horse Winner," by D. H. Lawrence (pp. 365-375)

Wednesday, October 13, 2010

Thursday = Deadline for Personal Essays

Yes, you have until Friday to get them onto turnitin.com (though there's no point in delaying).  But the essays and all required parts are due on Thursday.

Tuesday, October 12, 2010

turnitin.com now OPEN for Personal Essays!

TODAY IN CLASS
"A & P"--beginning with language and style.  No details here, because classes are at different points and I don't want to summarize something that your section has not yet "discovered." 

WEDNESDAY
Whether I see you or not, your work is to be finalizing your personal essay.  They are DUE on Thursday.

THURSDAY
Yes, we'll be going ahead with "A & P."  But with the personal essays behind you, the reading load is about to get heavier, and there will be a series of three short papers ("one-pagers"--but SINGLE-spaced) due the middle of next week.  I'll post more about that sometime tomorrow.

Monday, October 11, 2010

Super-quick Post

Just be aware that for tomorrow, everyone needs to have finished a careful reading of John Updike's "A & P" (starts on p. 16).

Friday, October 8, 2010

TODAY IN CLASS
Close-reading continues . . . 1st period at least got our young narrator to the week that crawled by as he day-dreamed his school days away, focusing only on his week-end excursion to Araby.  We move quickly from here--but know that we are headed towards a sure finale on Monday.

Also today:  two hand-outs summarizing details for finalizing and submitting the personal essay as well as some basic info on grammar/mechanics expectations plus relevant sources. I'm linking the one with the grammar links to make it easier to find those sources:
https://docs.google.com/document/edit?id=1w8xo49-qLjE7DpwA6qgh7LLNzswJ4pxfh2r8DMDbfBs&hl=en&authkey=CJKwkdIP
Also, you should be aware that although we "missed" National Punctuation Day last week, there is a great website here:
http://www.nationalpunctuationday.com/

OVER THE WEEK-END
  • Well, be working on the essay.  You want to get it done, but also done well. 
  • Be sure that you've finished required literary elements reading in your book.
  • If you want to read the story for Tuesday, it's John Updike's "A & P"--can't remember the page, but it's the first real story (after the short sample tales, etc.) in the book.

Thursday, October 7, 2010

TODAY IN CLASS
All personal essay revisions are due next week--dates vary:
Mon/Tues. if Oct.15 Early Action/Decision deadline: Wed/Thurs. if not)
Full hand-outs available tomorrow.

Moving on to James Joyce:
30-plus minutes on how many elements of fiction are covered in the first two paragraphs of "Araby," which are ostensibly setting.  Fusion--not discrete analysis--was the goal of the day.  More of that tomorrow.  (Expect several further passages for close scrutiny, but we'll have to skip over some other very good stuff.)

Some new voices spoke up today--hooray!

FOR TOMORROW
The gentle reminder that you are responsible for your own learning . . . don't wait for sticks.
By the end of the week (I think that's Friday . . .) you should be well-versed in ALL of the intro sections on the elements, and make sure that you've read the summary sections added earlier this week.

Wednesday, October 6, 2010

TODAY IN CLASS
The entire period was devoted to the peer response to the first draft of the personal essay.  Do not lose either the stamped copy or the peer-response sheet, because they must be turned in with the final draft.

If you were absent today or did not have a draft with you to exchange, it is your responsibility to get (and give) peer feedback before proceeding to the final draft.

FOR TOMORROW
Full steam ahead on "Araby."  However, remember that yesterday you were told to have the remaining elements of fiction intro sections (ones you have not yet been designated for your particular group) read by the end of the week.  Also, make sure to read the new summary sections assigned yesterday. 

So assuming you've all been good to go on the Joyce story for several days now, this reading should be your "homework" for tomorrow. 

(Give the paper a rest for tonight.)

Tuesday, October 5, 2010

Personal Essay Draft Due Wednesday

Essay must be typed and with you in class in order to get completion points. Simple heading (single-space)
Prompt typed out in full and bolded (single-space)
Double-space essay itself
Word count:  essay only  (1st, I think I forgot to mention this to you.)

TODAY IN CLASS
1) Announcement that yes, there will be a major exam over the short-fiction unit.  Not yet scheduled.

2) Some examination of the student-friendly qualities of the required 6th edition of Kennedy/Gioia, including the entirely new material at the end of each section.  Be sure to study these end-points carefully before attempting even informal, overnight writing assignments. And for the test, the terms within each section are all fair game.
The intro material page numbers were given earlier:
Plot:  5-16
Point of View:  25-29
Character  75-77
Setting  105-108
Tone and Style 138-141; also see Irony, 157-158
Theme  173-175
Symbol  189-191
Even though we started slowly, reading as they were assigned, it's time to pick it up; you should have read any sections you haven't personally covered yet by the end of the week.
New Material in the 6th ed--Summary and review at the end of each section (including lists of terms)
Plot:  22-24
Point of View:  72-74
Character:  103-104
Setting:  135-137
Tone and Style (also Irony):  171-172
Theme: 187-188
Symbol:  221, 224
3) We looked specifically at some of the material on plot, (lots of detail to be responsible for!), POV (we noted esp. interior monologue as one aspect of stream-of-consciousness, but also something that can exist on its own), and symbolism ("requirements"--a caveat against scavenger hunts).  And I put up sample papers on point of view and symbol before returning the short element write-ups for "Granny Weatherall."
FOR TOMORROW
Essay.  That's it.

Monday, October 4, 2010

2nd Counselor Visit Today

So no "forward progress" on the English lit. front.  See Friday's post for tomorrow's expectations.

However, this showed up online today.  Please read it as an excellent example of personal detail, "voice," and cohesive imagery.  It's not exactly an application essay, but it it is more valuable for the person/personality it conveys than writing a "one-size-fits-all" sort of essay.
http://seattletimes.nwsource.com/html/pacificnw/2012956272_pacificptaste03.html?cmpid=2628

Friday, October 1, 2010

TODAY IN CLASS
1. 1st and 3rd picked up the last words on college essays--what to avoid as well as strategies for doing something more original.
2. Slightly varied versions of "Granny Weatherall':  3rd period still needs to pick up the poetry, but to anyone who was absent Thursday in 1st period or Friday in 6th period, you are expected to read two poems by Emily Dickinson.  Both are in your lit book (pp. 687 and 686):  "Because I Could Not Stop for Death" and "I Heard a Fly Buzz When I Died." (3rd, we will all still do this, but it's not homework now)
3. In all classes, though, we established ideas about setting in GW, with slippage into other elements.

FOR MONDAY
  • Be working on your draft.  Plan to churn one out over the week-end that you can revise with more detached objectivity over the Monday-Tues. time frame.
  • Here is a link to one of the sites I shared in class, and please check the link given later in the article to a whole slew of sites, some with excellent examples:
  • Read the next short story--no writing for Monday, but DO read with a close eye (and probably annotations) for your particular focus for this story:
    • James Joyce, "Araby" (345 ff. in the 6th Compact Editon)
Assigned categories for "Araby"
A - Setting
B - Tone and Style
C - Theme
D - Symbol
E - Point of View
F - Character